camera angles

Zolly
the brainchild of zoom and dolly the zolly creates the illushion that your subject is floting as the backround stedily moves away. although seemingly complex, this can be accomplished by simultaneously moveing the dolly backward and zooming. this tequniqu was used by hichcock in "vertigo" he used it to create the camera work for the effect scottys vertigo had.

Close up
 close ups are the best camera shot to use if you want to endure your viewers to the charichters or people in your video. there are three types of close ups from medium close up to extream close up. the medium cose up is a close up that only shows the charichter from wast up. the close up is where a spisific part of the body is shown. the extream close up is a close up that i concentrating on small details of the charichter like there eyes or mouth.

 low and high 
Low and high-angle shots are great for expressing certain feelings. For example, low-angle shots can either shower a subject with respect or paint the subject with arrogance. On the other hand, high angle shots can show the audience what some of the characters in a scene are missing (a handy thing to use for revealing conspiracies and secret plots).


 cuts
It’s not just a subject’s face that tells the story. The wary hands, the perspiration rolling from one’s temple, the clock slowly tick tocking in the background—these are just a few examples of scenes that will give your video and story more depth. There are two types of camera cuts that you ought to try and use:

• cut in—otherwise called “insert,” this camera shot focuses on another part of the subject.
• Cut Away—opposite of cut in, cut aways focus on other things, such as things or people in the background.

 over the sholder
This is perhaps one of the most used and loved camera angles, thanks to its flexibility: it is used in a wide array of scenes ranging from simple conversations to heated confrontations. What you will notice, though, is that it often involves two subjects. As its name suggests, this shot shows a subject facing the camera and another whose back (mostly the head and one side of the shoulders) is turned from the camera.